Short answer: local press coverage is one of the great bargains available to a charity - it reaches people you could never afford to advertise to and lends you a credibility that money cannot buy - and you can earn it with nothing but a well-written email. The trick is to stop thinking of it as begging a busy newsroom for a favour. Local outlets have pages and airtime to fill and fewer reporters than ever to fill them, so a warm, human, genuinely local story is a gift to them, not an imposition. Find the specific person who covers your kind of story, keep them on a simple media list, learn what actually makes news, write a one-page release that does the reporter's first draft for them, send it in a short and personal email, and never nag. Do that and, over time, the coverage comes - and it keeps coming.
Local media needs your story more than you think
Let us clear up the biggest misunderstanding first, because it stops most people before they begin. You are not pestering a newsroom for a hand-out. You are offering them something they genuinely need. Local outlets have to fill pages and airtime every single day, and most of them are running on shrinking teams with fewer reporters than ever. That means they are hungry for good stories rooted in the community they serve - and a warm, human tale of people helping people is exactly what their readers love and their reporters rarely have time to go and find.
Your charity generates those stories constantly. So walk in - or rather, write in - as someone with something useful to give, not something to ask for. Once you truly believe that a good story is a gift to a local journalist and not a cheek, the whole task stops feeling like an intrusion and starts feeling like the fair exchange it actually is.
Find the right people to pitch
The next mistake is to treat the media as one big faceless thing and fire a message at a general inbox nobody reads. Instead, find the specific people who cover the kind of story you have. Look at your local newspaper and notice who writes the community and human-interest pieces. Think of your community radio station, the hyperlocal news site, the neighbourhood social media groups, even a well-followed local blogger who cares about your patch.
The journalist who wrote a lovely piece about another charity last month is far more likely to write about yours than a stranger on the national desk. So do a little detective work, read what people actually publish, and find the real human being whose job it is to tell the sort of story you are sitting on. A message aimed at a named person who covers your subject will always beat a hundred sprayed at nobody in particular.
Build a simple media list you use for years
Once you start finding those people, keep them, because this is an asset you build once and use for years. A media list sounds grand, but it is just a simple spreadsheet: one row per contact, and a handful of columns - the outlet, the specific person's name, their email, what kind of stories they cover, and a note of any past contact.
Keep it small, local, and relevant rather than long and random. A dozen well-chosen contacts who genuinely cover your world are worth more than a hundred names scraped off a website. Add to it whenever you spot a new reporter, and update it when people move on, as they often do. With this quiet little list in place, the next time you have news you are not scrambling from scratch - you already know exactly who to tell, and telling them takes minutes instead of days.
What makes a story newsworthy
Not everything your charity does is a news story, and knowing the difference will save you from crying wolf. A reporter is asking one question - why should my readers care about this today? - and your job is to answer it before they ask. There are four ingredients that turn ordinary work into news, and the more you have, the stronger your story:
- A milestone - an anniversary, a thousandth meal served, a big target reached.
- A person - a real human being at the heart of it, because people care about people far more than about organisations.
- A local angle - something that makes it clearly and proudly about this town, these streets, our neighbours.
- Timeliness - a reason it matters right now, tied to a season, an event, or something already in the news.
Find one or more of these and you have a story. Miss all four and you have an update only you find interesting. There is no shame in waiting for the right moment - a charity that pitches only when it genuinely has a story earns a name for being worth reading, while one that cries wolf every week is soon ignored. A milestone from your latest impact report, or a warmly told tale from one of your community fundraising events, often hands you the newsworthy hook you were looking for.
Write a one-page press release that does the reporter's work
When you have a real story, put it in a short, clear press release, and think of it as doing the reporter's first draft for them. Keep it to a single page. Start with a plain headline that captures the hook, then open with the human angle in the first line or two - the way a news story actually begins - not with the history of your charity.
Include a short quote, from you or, even better, from the person at the centre of the story, because a good quote is something a journalist can lift straight into their piece. Give the key facts plainly - the who, what, when, where, and why - so nothing important is missing. End with your contact details and an offer of more: a photograph, an interview, a case study. Write it in ordinary human language, with no jargon and no breathless hype, so a busy reporter on deadline could almost run it as it stands. The easier you make their job, the more likely your story is to appear. The same storytelling instincts that make people donate - a real person, a clear before and after - are exactly what make a release land.
A dull pitch versus a newsworthy one
Let me show you the whole lesson in two sentences. Here is the pitch most charities send: "Our charity does important work in the community and we would really like some coverage of what we do." It is worthy, it is vague, and it gives a reporter nothing to work with, so it goes straight in the bin.
Now here is the same charity with a real story: "This Saturday, a seventy-eight-year-old volunteer named Margaret will serve her ten-thousandth hot meal at our community kitchen, on the very same street where she first walked in for help herself, twenty years ago." Feel how different that is. In one sentence it has a person, a milestone, a strong local angle, a reason it is happening now, and a quote and a photo waiting to be gathered. You did not invent a thing. You simply found the story that was already there and told the reporter what it was, instead of asking them to guess.
Pitch by email without being annoying
With your release ready, send it - and send it like a considerate human being. Email is almost always the right channel, so write a short, personal note to your named reporter, use their actual name, and give it a clear, specific subject line that is itself a headline. Put the heart of the story in the first two sentences, because that is all a busy journalist will read before deciding. Then offer to make their life easier, with photos, an interview, or access to the people involved.
And then, crucially, do not nag. One polite follow-up a few days later is perfectly fine, but calling repeatedly or firing off reminders will get you quietly blocked. Respect their deadlines and their silence, and if they pass on this story, thank them anyway and stay warm, because there will be another story next month and you want the door left open.
Build relationships and be ready for the interview
The real prize here is not one article but an ongoing relationship, so play the long game. Reporters are people doing a hard job, so treat them like it. When someone runs your story, thank them sincerely. Be the source who is easy to work with, who replies quickly, who never wastes their time, who tells the truth. Do that a few times and you become their go-to for anything in your corner of the world - and they start coming to you.
And when the coverage does come and someone wants to interview you, be ready. Know the two or three key things you want to say, keep them human and simple, speak in plain words rather than mission statements, and always bring it back to the people you help. Decide in advance who speaks for your charity so you are never caught flat-footed.
Your local-press checklist
- Believe a good story is a gift to a newsroom, not a favour you are begging.
- Find the specific reporter who covers your kind of story - not a general inbox.
- Build a simple media list once and keep it current.
- Check your story against the four ingredients: milestone, person, local angle, timeliness.
- Only pitch when you genuinely have a story.
- Write a single-page release: hook headline, human first line, a quote, the key facts, an offer of more.
- Send a short, personal email with a headline subject line - and do not nag.
- Thank everyone who runs your story, and be ready and human for the interview.
Frequently asked questions
We are tiny and unknown. Will local media really cover us?
Very possibly, because your size is not the point - your story is. Local outlets need to fill space every day with material their readers care about, and a genuinely local, human story is exactly that. Do not pitch "we exist and do good work"; pitch one specific person, one milestone, one reason it matters this week. A charity with a real story often lands coverage a bigger one with a dull update never will. What you cannot do is promise yourself any single pitch will run, because a newsroom's day is unpredictable.
How often should we pitch the press?
Only when you genuinely have a story that passes the newsworthiness test. Charities that email a reporter every week soon get ignored, while those that reach out only when they truly have something worth reading build a name for being worth opening. Quality and restraint beat frequency. Save your pitches for real milestones, real people, and real local angles, and each one will carry more weight than a stream of updates ever could.
What if a reporter ignores us or says no?
Take it gracefully. Send one polite follow-up a few days after your first email, and if there is still silence, leave it there - repeated chasing gets you quietly blocked. If they pass, thank them warmly anyway, because you are building a relationship for the next story, not just fighting for this one. A "no" met with grace keeps the door open; a "no" met with pressure closes it for good.
Do we need permission to share someone's story with the press?
Yes. Always get clear permission from anyone before you share their story or photograph with a journalist, and handle everyone's personal information with care. This channel is educational only and is not media-law, legal, or data-protection advice, so treat consent and the rules that apply where you operate as something to confirm with the official current source before you rely on them.
Want a free look at your charity's online presence?
We'll review how your charity shows up online — your site, your search visibility, and where donations leak away — and send you a plain, practical plan. No cost, no obligation.
Get my free analysis →Educational only. This channel is not affiliated with or endorsed by any outlet, platform, agency, or program, and nothing here is legal, tax, compliance, or media-law advice. We cannot promise any pitch will earn coverage. Always get people's permission before sharing their story or photograph, handle personal information with care, and verify current details with the official source before you rely on them.
